WAITLIST · FOR INDIE WOMEN IN MUSIC
a manager, booking agent, publicist and 3 more, all inside your own claude. it writes the emails, plans and pitches. you read them and hit send.
built by a billboard charting artist who toured with brian may, heart and joan jett.
no payment today. doors open in december. the waitlist gets in first, at the lowest price it will ever be.
THE PART NOBODY CLAPS FOR
i'd play the show, drive home, and open my laptop to 14 emails. a venue that never wrote back. a bio i still hadn't fixed. an invoice nobody paid.
that's a full time job on top of writing, playing and recording.
it's the reason labels exist. a label has a whole staff for this stuff.
most of us just have ourselves, at 2am.
if you already have a full team and a label budget, you don't need this. this is for the artist doing it all herself.
WHAT FINALLY WORKED FOR ME
say you play 8 shows a month at $400.
a manager taking 20% is $640 a month.
$7,680 a year
out of your pocket.
YOUR LABEL STAFF
about $20 a month
runs on claude pro.
YOUR LABEL STAFF
plans your next release and checks in every monday with what's due that week.
finds venues that fit your sound for you to check, writes the pitch, and reminds you to follow up.
your bio, press kit and pitches, written in your voice. not robot voice.
a month of post ideas and captions that sound like you.
budgets, show settlements, who still owes you money, and a grant tracker.
sorts your inbox and drafts every reply. you just read and send.
you choose how they talk to you. gentle, or straight to the point.
1
you answer some easy questions about your sound, your shows and your goals.
2
it reads a few of your old posts and emails so everything sounds like you.
3
you check them and hit send. that's it.
BUILT FOR WOMEN IN MUSIC
you shouldn't have to put up with a guy hitting on you just to get a show booked or an email answered.
your label staff doesn't want anything from you. it does the work. you decide what goes out.
HI, I'M ARIELLE
i've charted on billboard, sold over 30,000 physical records, and toured the world with brian may, heart and joan jett.
i had a label, a manager and a touring team. then i lost all of it, and it was just me.
so i built my team again, inside claude. i run my own music this way every day.
now you can have the exact setup i use.
if you can fill out a form and copy and paste, you can set this up. i walk you through every step.
you'll need claude pro, about $20 a month, paid to claude, not me. signed to myself is a one time price. not a subscription. and the waitlist gets it for much less than everyone else.
no. it learns from your own posts and emails, so drafts sound like you. and nothing goes out until you read it.
yes. if you play out, put out music, or want to, and you're doing the business side alone, this is for you.
i'm setting up every staff member with real artists first, so it works for your music before doors open in december.
that's your bonus for being early: the waitlist gets in first, and pays much less than the price everyone else pays once it's out. one time. no subscription.
WANT IN?
join the waitlist and be first in when doors open in december, at the lowest price it will ever be.
no payment today. you'll need claude pro.
WAITLIST · FOR INDIE WOMEN IN MUSIC
a manager, booking agent, publicist and 3 more, all inside your own claude. you read them and hit send.
YOUR LABEL STAFF
no payment today. doors open in december. the waitlist gets in first, at the lowest price it will ever be.
THE WAITLIST
save my spot.